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If you are looking to get everyone to come to your costume party dressed up, here is one sure-fire way to make it happen. Throw an ABC Party. ABC stands for anything but clothes. See, the disturb with a lot of costume parties these days is that the theme is often very restrictive and a good deal of persons just choose not to attend because they don’t have a costume in the indicated theme. It may be a bit tougher to get a good turnout at your party with such fixed choices for the party-goers. The solution is an ABC Party.
Imagine getting invited to an Anything But Clothes Costume Party! The costume ideas are endless, if you walk into your garage, you may find duct tape, toolbets, boogie boards, cardboard, paint and the list goes on. I personally think a costume made wholly of duct tape would win best costume for the garage category.
For those that have a costume box – score! – anything in it will be superb! You might have a prom queen sash, a chicken mask, a Sombrero, and a cool pair of stilleto boots. All of these would be altogether and exclusively satisfactory and expected at an ABC Party. The beauty of an ABC party is that it leaves so much to the imagination of the person dressing up. You may be just in regards to anything and it gives the party-goer so much room for creativity.
Another idea would be to use a covering of liquid latex, then add a splash of glow in the dark body paint, throw on a costume wig, a pair of costume shades and a wacky hat. Who genuinely knows what you are, but then again, who genuinely cares – it’s an ABC Party afterall.
More fun ideas for your next ABC Party now that you are the right way pumped when it comes to the idea:
- Saran wrap – One roll will have to suffice
- Postage stamps – Kinda pricey, I know… but you’d be distinctive for sure!
- Stickers of any kind – You recognise you have a collection of them from your childhood, put them to good use!
- Bandaids – Everyone has these in their bathroom medicine cabinet
- Gauze – Maybe a boring and uncreative one – but think mummy… or sexy mummy?
- Cotton balls – Think stay puff marshmallow man
- Foliage – bogus or real – How regarding Adam and Eve
- Tar and feathers – This is only for the devoted ABC Party Attendee
- Tin Foil – Sexy Tin Girl or Tin Man!
- Surfboard bag – not sure how you’d make your face pointy to be the fin – perchance a bit of cardboard likewise and poke galore holes for the eyes.
There you have it. A number of fantastic ideas for the times we live in. Remember that the Costume Party MUST go on! To get the most creative thinking and individualism out of your party-goers, keep the party theme wide open and throw an ABC Costume Party this weekend. Anything But Clothes, goes.
Eternal Temptation Gallery Girls Collection Pic
Eternal Temptation Gallery Girls Collection Image
Eternal Temptation Gallery Girls Collection Photo
Eternal Temptation Gallery Girls Collection Pic
Eternal Temptation Gallery Girls Collection Pic
Eternal Temptation Gallery Girls Collection Photo
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3 of 3 humans found the following review helpful.
 SEXY IN ANCIENT EGYPT
By Tim Janson
One of the things I love when it comes to the Gallery Girls collections from SQ Productions is the endless assortment of themes they come up with for these fantastic pin-up collections, not to mention the always significant talent that works on them. Eternal Temptation 2 is the second volume of pin-up art using the mysterious ancient Egypt as the back drop. Intrepid tomb raiders, sexy mummies, and luscious Egyptian queens may all be found in the book that features a painted cover by fan favorites Fastner & Larson, and features artists like Glas Gallego, Arantza, Pedro Cuevas, San Julian, Palaez, and some more into this 64 page book.
2 of 2 persons found the following review helpful.
 There’s a Serious Quality-Control Problem Here
By David R. Eastwood
This book has 64 inner pages of b&w sketches, commonly in pencil, plus front and back covers in color and a b&w pencil sketch inside front cover (total: 67 fantasy pics). Many of these sketches are amateurishly done, with their chief flaws being defective humane anatomy, defective animal anatomy (especially the snakes), boringly blank faces, cliché walking mummies (many of them apparently copied from old movie posters), and topless women who appear to have actually bad silicone implants. These pictures are supposedly all set in Egypt–the majority represent ancient times, but a few show modern-day female tomb raiders. For the most part, the “Egyptian” persons do not look at all like Egyptians.
For humans who admire the skillful, dramatic, and interesting fantasy art of such greats as Frank Frazetta, Boris, Mike Hoffman, and Rowena, this book will be a disappointment. Many of it is pictures look like the pencil drawings done by gifted but inexperienced and without being made adept by training thirteen-year-olds–such as may be seen posted on the “fan art” bulletin boards of a lot of local comic book stores. Many of the artists in this book could improve their draftsmanship by studying anatomy-for-artists books and could improve the liveliness of their pictures by studying a heap of of the how-to-draw books concerning comic book illustrations.
I am giving brief descriptions and judgments of each picture in this book to aid begin a kind of “reviewer dialogue” regarding these pieces. I’ve made no venture to undertake to cover all the bases for any of these pictures. I’m just attempting to get the ball rolling. In a lot of cases, perchance we may agree, drawings that are “skillful” are likewise dull; on the other hand, drawings that are technically defective may most times be very interesting in other respects.
Front cover: Fastner & Larson (color): perchance the best picture of the book; it is something of a rip-off of Frank Frazetta but more cartoony and without his legendary sense of dramatic movement; both the humane and leopard anatomy are okay, but the spots on the leopard are unrealistically regular.
Inside front cover. Pelaez: this teasing picture of a woman adjusting her costume is flawed by poor draftsmanship for the woman’s body; her face is finelooking but is unquestionably un-Egyptian; the crown on the woman’s head is top-heavy.
1. Arantza: a good sketch of a topless beauteous woman chained besides Anubis, the jackal-headed god.
2. Pedro Cuevas: a nude woman, with bandages on both feet and one forearm, has set a mummy afire; judged by her unmatched pair of bolt-on breasts, in general a poor job.
3. Daniel Horne: a good sketch of a mummy hugging a nude beauty in the moonlight while two other mummies watch; reasonably amusing.
4. Jose Torres: a boring sketch of a topless woman standing near a kind of sofa; poor.
5. Blas Gallego: this picture has an okay leopard, but the three women have preposterous bolt-on breasts; the mummy that restrains one of them seems to have a heap of problem with his spine.
6. Alonso: this drawing tries to use humor with a troll; thanks to defective draftsmanship, the woman’s right hand is in an totally unlikely emplacement relative to her loincloth.
7. Pelaez: more or less poor draftsmanship for the woman’s left arm and body; so-so cobra.
8. Josep Gual: the woman on the right is poorly done; the cobra is very faulty.
9. Tomas Giorello: an magnificent and interesting sketch, except for an totally unlikely twist to the woman’s hips.
10. Boada: somewhat good, but the topless woman on the right does not have a well-matched pair.
11. Daniel Pascarelli: interesting–a muscular mummy carries off a large-busted tomb raider–but the representation of distance is faulty–as are the woman’s boots.
12. Garcia: a skillful and funny picture of a nude woman gathering lilies from a stream; one of the best, even though the drawing of the woman’s hips is somewhat faulty.
13. Maraschi: skillful, but the mummy grabbing the tomb raider is trite, and the shadows of the lamp are faulty.
14. Pedro Cuevas: an Escher-like out of the question landscape and defective draftsmanship; both the woman and the mummy she punches are pin-heads, courtesy of poor perspective drawing.
15. Ruben Meriggi: an Egyptian nobleman, a surly mummy, and a woman wearing a brass bra are sketched in an interesting style, but the woman’s face and head shape seem faulty.
16. J. L. Marin: this sketch shows rather a bit of skill at representing a running figure–except for the bolt-on breasts–and without doubt or question she does not recognise the proper way to hold on to a huge snake when running.
17. Sanjulian: a stoned-looking woman kneels on fallen rocks, keeping a knife and a torch–marred by wrong draftsmanship.
18. Parrillo: a big cast of women, galore with demon lovers, is an interesting idea–but this picture is flawed by quality-control troubles in draftsmanship and by it is unbalanced composition.
19. Quintabani: badly wrong draftsmanship: a woman in a modern bikini panty, keeping a mummy’s skull, distinctly has a good deal of severe difficulties with her back and the position of her right arm.
20. Carrasco: a woman with a brass bra–well done, with two amusingly goofy mummies.
21. Tomas Giorello: a very skillful and somewhat disturbing portrayal of a woman attacked by a Giger-type mummy.
22. Isaac Del Rivero: a skillful but strangely disturbing portrayal of a mummy (who looks like a female bodybuilder) stripping off her bandages.
23. Juan Cano: an interesting composition of an unbandaged female mummy but with numerous defective draftsmanship and an unfunny goofy little male mummy goose-stepping in the background.
24. Enric: a reasonably good reclining woman with two black panthers.
25. Daniel Pascarelli: three topless women, with a pharaoh-headed snake coiling around the one who is kneeling in the foreground–alas, both the snake-thing and the woman he is wrapped around are poorly drawn.
26. Arantza: a woman carries an implausibly huge clay vessel near the Sphinx; flawed by poor draftsmanship, exceptionally for the woman’s excessively lengthened thighs and excessively shortened upper body and lower legs.
27. Pelaez: two mummies grope a nude woman whose mind is elsewhere; reasonably skillful.
28. Capdevila: a trite old-movie-still mummy approaches a chained woman whose legs are abnormally long and whose calf muscles are closely nonexistent.
29. Maraschi: a skillful–and rather humorous–picture in regards to an (erotic|sexual pleasure|sexually arousing interlude amidst a pair of women.
30. Garcia: a weak picture with an interesting style; the draftsmanship of the lion’s head and body is exclusively flawed.
31. Isaac Del Rivero: a competent picture of a mummy carrying a nude blonde through ground fog under a full moon; seems to be a rip-off of a Swamp Thing movie poster featuring Adrienne Barbeau–or regarding fifty monster films of the 1950s.
32. Ruben Meriggi: a muscular mummy has captured a topless beauty; skillful art with an interesting, dramatic style.
33. Sanjulian: a topless woman ponders while a priest confers with Anubis; alas, this has somewhat faulty draftsmanship for the woman’s arms, breasts, and off-center head.
34. Parrillo: as another grouping of women and demons, this sketch is more or less better than picture 18 by the same artist.
35. Tomas Giorello: an interestingly weird attack by a mummy’s drifting head, this is skillful for the most part–except for the woman’s left hand and fingers.
36. Alonso: the topless woman in this sketch has a finelooking face–and a very progressed bikini panty–but a great deal of wrong distortion to her body; the camel standing on a little cliff behind her has very faulty toes.
37. Blas Gallego: a so-so picture of three mummies and two nude women; one mummy is getting amorous with the standing woman, who has 21st-century bolt-on breasts.
38. Boada: a topless Egyptian queen, who has ordered a nude woman to be flogged, has some faulty draftsmanship marring her upper body; the right foot of the man with the whip is also faulty, and the bleeding back of the victim is disturbing.
39. Pelaez: a skillfully done pretty woman, kneeling toplessly–much better than the same artist’s picture printed inside the front cover.
40. Pedro Cuevas: a topless woman battles a giant snake; she is reasonably well drawn, but the snake is severely wrong where it is body passes behind her buttock and crosses in front of her belly.
41. Daniel Pascarelli: a muscular mummy embraces a receptive nude woman; some troubles with draftsmanship, specially with her upper body and neck.
42. Josep Gual: a reasonably skillful sketch of two women, altho the left arm of the seated woman seems faulty.
43. Isaac Del Rivero: an funny cartoon representing a horny tomb-raiding woman getting more (erotic|sexual pleasure|sexually arousing attention than she had expected.
44. Enric: a reasonably skillful depiction of a woman’s see-through clothing, with a lustful mummy caressing her hip.
45. Quintabani: a skillfully drawn picture of a topless woman whipping an queerly passive muscular nude man; I personally find the bleeding wounds on his back and forearm disturbing.
46. Gracia: an funny sketch of a topless slavegirl winking at an unseen young man; somewhat skillfully done, with the young man’s shadow visible besides her.
47. Arantza: a skillfully drawn woman enjoying herself in a tomb.
48. Capdevila: a topless falcon-headed goddess (an unknown sister of Horus?) with actually bad silicone implants, a gravely proportioned right arm, and a wrong left leg walks past a topless woman who is standing versus a pillar with her eyes shut; this picture is funny, but in all probability unintentionally.
49. Tomas Giorello: a skillful drawing of a topless bald woman being blown into the air when she opens a steaming container.
50. Parrillo: a big array of mummies (plus a few octopus tentacles) attack a nude woman; interesting composition, but the twisting of her waist is rather inconceivable in real life.
51. Sanjulian: a topless Egyptian stoner girl watches a cobra approach her; somewhat skillful.
52. J. L. Marin: a short, chunky topless woman pretends to dance–or engage in kung-fu–with a mummy; he is grimacing, while she is expressionless; both are posed motionless, like persons having their photo taken; Frazetta and Hoffman would have given this idea galore great sense of movement.
53. Boada: a rather skillful picture of a nude woman with two amiable snakes; her python is draped all over her shoulders like a stole, while her little cobra looks at it is basket.
54. Maraschi: a skillful and semi-humorous portrayal of a semi-clad beauteous woman being neared by four skeletons who are rising up from the desert sands.
55. Tomas Giorello: a skillful drawing of a nude beauty riding a lion-mummy up a cliff.
56. Parillo: a woman wearing a brass bra sits on an octopus tentacle (?) while visions of scary men hover over her head; interesting, but the basic remainder of the composition is faulty, as is the draftsmanship of her left breast.
57. Isaac Del Rivero: a woman–Cleopatra?–stares at an asp she is bringing to her poorly installed 21st-century silicone implants; a somewhat faultily drawn slave woman kneels besides her, with two more asps coiling around and climbing up her left wrist and left ankle–something they could not do in real life.
58. Jose Torres: a skillful sketch of a beauteous topless woman kneeling ecstatically in front of a grotesque idol that is without doubt or question not Egyptian–perhaps it is Hittite or just bogus.
59. Ruben Meriggi: this picture has an interesting and effective artistic style–a muscular warrior defeats another warrior while a topless pretty woman gazes to the left at some unknown thing; one of the better pictures in this book.
60. Pedro Cuevas: a good looking topless woman with an axe points to a great deal of unknown thing to the right, while her faithful mummy associate stares fixedly in that direction; skillfully drawn.
61. Pelaez: in the moonlight, a topless woman stands, keeping hands with a female mummy whose form-fitting bandages conceal almost nothing; skillfully done.
62. Arantza: a very skillful drawing of a topless beauty seated with a cheetah.
63. Quintabani: a somewhat skillful drawing of a topless woman squatting next to a statue of Bastet (a cat goddess); while accepting the very innovative bikini panty she wears, I have just one quibble: the way her left breast is drawn makes it seem a poor match for her right one.
64. Daniel Pascarelli: a well endowed woman delights herself with a more than willing mummy; one slight objection: the curvature of her backside seems wrong to my eyes.
Rear cover. Lucio Parrillo (color): a muscular zombie, perhaps coated in blood, gropes the buttock of a nude Egyptian woman; that buttock and her right thigh seem to become the victims of a zombie skin infection–as well as suffering from defective draftsmanship.
By the way, for this review I have numbered the pages in my copy by hand–the printed book does not have any page numbers.
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